[1]
Cristobal Holman-Smith, S. 2025. “Did ever Spanish lady pace so”: National Identity, Gender Performance, and Metatheatre in John Fletcher and Philip Massinger’s Love’s Cure and Ben Jonson’s The Devil Is an Ass. Pygmalion. Revista de teatro general y comparado. 17, (Dec. 2025), 3–9. DOI:https://doi.org/10.5209/pygm.104963.