Nihon Sankei: History, Art, Tourism and Identity

  • Pilar Cabañas Moreno Complutense University of Madrid
DOI: https://doi.org/10.5209/MIRA.60494
Keywords: relational, souvenir, Japanese art, identity, cognitive map

Abstract

This research offers a new reading of Nihon Sankei, a term that encompasses the landscapes of Matsushima, Amanohashidate and Miyajima. This reading is based on the cognitive construction of the human being, from the relational perspective relying on the social psychology perspective by Kenneth J. Gergen, and following the idea of “cognitive associational map” by Ikegami Eiko. Under this perspective, the relevance of Nihon Sankei in the configuration of Japan’s national identity acquires its full meaning.
View Citations

Format

Crossmark

Metrics

Published
2018-05-31
How to Cite
Cabañas Moreno, P. (2018). Nihon Sankei: History, Art, Tourism and Identity. Mirai. Estudios Japoneses, 2, 35-48. https://doi.org/10.5209/MIRA.60494
Issue
Vol. 2 (2018): Defining the Japanese Identity
Section
Monograph

License

In order to support the global exchange of knowledge, the journal Mirai. Estudios Japoneses is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.