Japón a escena: traducción y pensamiento teatral en diálogo
Abstract
Rodríguez del Alisal, Mariló y Javier Vives Rego. Japón a escena. Teatro nō y kabuki. Gijón: Satori Ediciones, 2026. 192 pp. ISBN: 978-84-10404-28-1
This review examines Japón a escena. Teatro nō y kabuki as a work that transcends mere theatrical translation to become a space for cultural and critical mediation. Particular attention is given to the translations by Mariló Rodríguez del Alisal and to the contextualizing work of Javier Vives, whose contribution enables readers to understand the historical, performative, and symbolic dimensions of nō and kabuki theatre. The volume successfully balances translation, commentary, and hermeneutic reflection, establishing itself as a significant contribution to Japanese and theatre studies in the Spanish-speaking world.
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License
In order to support the global exchange of knowledge, the journal Mirai. Estudios Japoneses is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.




