Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”

  • Array Array Univ. Of Prešov
Palavras-chave: Kant, Aesthetics, Harmonization, Michal Greguš, Andrej Vandrák, Karol Kuzmány

Resumo

The paper analyses three concepts of aesthetics of arts in Slovak aesthetics in the first third of the 19th century based on the ideas of three Slovak authors (Michal Greguš, Andrej Vandrák and Karol Kuzmány) who all shared creative reading of Kant and transformation of the process of “harmonization” as a foundation of defining possible aesthetic potentiality of art.

Biografia do Autor

Array Array, Univ. Of Prešov
Prof. PhDr. Jana Sošková, CSc., Institute of Aesthetics, Art and Cultural studies in Faculty of Arts, University of Prešov in Prešov, Slovakia.
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Publicado
2015-11-20
Edição
n. 2 (2015)
Seção
Monographic section ("Kant and the Meanings of Harmony")