Los avatares de los relieves de las puertas de Salmanasar III (858-824 a.C.) de Imgur-Enlil (actual Balawat, Irak)

Agnès Garcia-Ventura

doi:10.5209/geri.91457

- -

Agnès Garcia-Ventura a:1:{s:5:"es_ES";s:34:"Universitat Autònoma de Barcelona";} https://orcid.org/0000-0001-8580-4865

DOI: https://doi.org/10.5209/geri.91457

Palavras-chave: -

Resumo

Ver citações

Referências

Almagro Gorbea, M. J. (2005): Catálogo del Arte Egipcio y Caldeo-Asirio, Madrid.

Birch, S. – Pinches, T. G. (1880): The bronze ornaments of the palace gates of Balawat. Part I, London.

Bolaños, M. – Campano, A. (2013): Casa del Sol: Museo Nacional de Escultura, Madrid.

British Museum (1880): A Guide to the Exhibition Galleries of the British Museum, London.

Brusius, M. (2014): “The Ancient Near East in Storage. Assyrian Museum Objects as a Cultural Challenge in Victorian England”, [en] A. Meyer – B. Savoy (eds.), The Museum is Open. Towards a Transnational History of Museums 1750-1940, Berlin, 19-30.

Brusius, M. (2015): Fotografie und museales Wissen. William Henry Fox Talbot, das Altertum und die Absenz der Fotografie, Berlin.

Budge, E. A. W. (1925): The Rise & Progress of Assyriology, London.

Caygill, M. L. (1992): The Story of the British Museum, London.

Caygill, M. L. (2005): “An enduring legacy”, British Museum Magazine 51, 55.

Collins, P. (2017): “Nineveh in the United Kingdom”, [en] L. P. Petit – D. Morandi Bonacossi (eds.), Nineveh, the Great City. Symbol of Beauty and Power, Leiden, 298-302.

Collins, P. (2020): “Museums as Vehicles for Defining Artistic Canons. The Case of the Ancient Near East in the British Museum”, [en] A. R. Gansell – A. Schafer (eds.), Testing the Canon of Ancient Near Eastern Art and Archaeology, New York, 232-252.

Curry Smith, C. (2004): “King, Leonard William”, Oxford Dictionary of National Biography, Oxford (https://doi.org/10.1093/ref:odnb/70595).

Curtis, J. E. (1995): “The Discovery of Assyria”, [en] J. E. Curtis – J. E. Reade (eds.), Art and Empire. Treasures from Assyria in the British Museum, London, 8-16.

Curtis, J. E. – Reade, J. E. (1995): Art and Empire. Treasures from Assyria in the British Museum, London.

Curtis, J. E. – Tallis, N. (2015): “More Thoughts on the Balawat Gates of Shalmaneser III: The Arrangement of the Bands”, Iraq 77, 59-74.

Date, C. – Hamber, A. (1990): “The Origins of Photography at the British Museum, 1839-1860”, History of Photography 14, 4, 309-325.

De Gray Birch, W. – Pinches, T. G. (1880-1902): The bronze ornaments of the palace gates of Balawat, London.

Dean, D. R. (2004): “Smith, George”, Oxford Dictionary of National Biography, Oxford (https://doi.org/10.1093/ref:odnb/25806).

Di Paolo, S. (2018): “Inquiry on the ‘Unstable’ Original – Copy Relation: Theoretical Foundations and Application Contexts”, [en] S. Di Paolo (ed.), Implementing Meanings: The Power of the Copy between Past, Present and Future, Münster, 15-28.

Durgun, P. (2022): “(Hi)stories Set in Plaster: Ancient Western Asian Reproductions and the Berlin State Museums”, The Ancient Near East Today 10/5 (https://www.asor.org/anetoday/2022/04/plaster-reproductions-berlin-state-museum).

Forrer, L. (1912): Biographical Dictionary of Medallists, vol. 5, London.

Frame, G. (2019): “A History of Research on the Neo-Assyrian Empire”, [en] G. B. Lanfranchi – R. Mattila – R. Röllinger (eds.), Writing Neo-Assyrian History. Sources, Problems and Approaches. Proceedings of an International Conference Held at the University of Helsinki on September 22-25, 2014, Helsinki, 1-26.

Franks, A. W. – Birch, S. – Smith, G. – De Gray Birch, W. – Harrison, C. (1872): Catalogue of a series of photographs (by S. Thompson) from the collections in the British Museum, London.

Garcia-Ventura, A. (2023a): “The reception of the Assyrian ‘wounded lioness’ in Spain: a success story”, [en] K. Droß-Krüpe – A. Garcia-Ventura – K. Ruffing – L. Verderame (eds.), Orientalist Gazes. Reception and Construction of Images of the Ancient Near East since the 17th Century, Münster, 55-69.

Garcia-Ventura, A. (2023b): “Museos de reproducciones, difusión arqueológica y relaciones internacionales: una aproximación a partir de la correspondencia entre Juan Facundo Riaño y Emil Hübner”, Madrider Mitteilungen 64, 470-489.

Garcia-Ventura, A. (en prensa): “Historia de dos ciudades: el encargo de las copias de la leona herida asiria para Madrid y Bilbao”, [en] E. Ferrer Albelda (ed.), Tumbas, dioses y héroes. De las arenas de Babilonia a las aguas del Tarteso, Sevilla,

Garcia-Ventura, A. – Vidal, J. (2020): “International networks and the shaping of nineteenth-century Spanish collections: A glance at the correspondence of Juan Facundo Riaño”, Journal of the History of Collections 32/3, 481-490 (https://doi.org/10.1093/jhc/fhz029).

Guillén Robles, F. (1897): “Museo de reproducciones artísticas. La sala oriental y arcaica”, Revista de archivos, bibliotecas y museos, Tercera época, 1/8-9, 414-415.

James, T. G. H. (2004): “Birch, Samuel”, Oxford Dictionary of National Biography, Oxford (https://doi.org/10.1093/ref:odnb/2435).

King, L. W. (1915): Bronze reliefs from the gates of Shalmaneser, King of Assyria B.C. 860-825, London.

Mélida, J. R. – Riaño, J. F. – Rivero, C. M. del – Guillén Robles, F. (1908): Catálogo del Museo de Reproducciones Artísticas. Primera Parte: Arte Oriental y Arte Griego, Madrid.

Miller, E. (1973): That Noble Cabinet. A History of the British Museum, London.

Moorey, P. R. S. (1999): Ancient Mesopotamian Materials and Industries. The Archaeological Evidence, Winona Lake.

Muñoz González, I. A. (2016): Arqueología y política en España en la segunda mitad del siglo XIX: Juan Facundo Riaño y Montero, Madrid.

Patterson, A. – Trusted, M. (2018): The Cast Courts, London.

Pinches, T. G. (1879): “The Bronze Gates from Balawat and Their Chased Pictures (I)”, The Athenaeum 2685 (12th April), 480.

Pinches, T. G. (1882): “The Bronze Gates Discovered by Mr. Rassam at Balawat”, Transactions of the Society of Biblical Archaeology 7, 83-118.

Reade, J. E. (2006-2008): “Rassam, Hormuzd”, Reallexikon der Assyriologie 11, Berlin, 262-263.

Reade, J. E. (2017): “The Manufacture, Evaluation and Conservation of Clay Tablets Inscribed in Cuneiform: Traditional Problems and Solutions”, Iraq 79, 163-202.

Rehm, E. (2018): Wertvolle Kopien. Gipsabgüsse altorientalischer Denkmäler in Deutschland, Münster.

Robinson, E. (1891): “Chaldean. Assyrian”, [en] Metropolitan Museum of Art: tentative lists of objects desirable for a collection of casts, sculptural and architectural, intended to illustrate the history of plastic art, New York, 6-7.

Schaaf, L. J. (1992): Out of the Shadows. Herschel, Talbot, & The Invention of Photography, New Haven.

Schachner, A. (2007): Bilder eines Weltreichs: kunst- und kulturgeschichtliche Untersuchungen zu den Verzierungen eines Tores aus Balawat (Imgur-Enlil) aus der Zeit von Salmanassar III, König von Assyrien, Turnhout.

Schreiter, C. (2014): “Competition, Exchange, Comparison. Nineteenth-Century Cast Museums in Transnational Perspective”, [en] A. Meyer – B. Savoy (eds.), The Museum is Open. Towards a Transnational History of Museums 1750–1940, Berlin, 31-43.

Smith, G. (2015 [1880]): The Chaldean Account of Genesis (edited by Archibald Henry Sayce), Cambridge.

Smith, G. – Thompson, S. (1872): Chaldaean Account of the Deluge from Terra Cotta Tablets Found at Niniveh and now in the British Museum. Two Photographs with Translation and Text, London.

Smith, M. (2004): “Budge, Sir Ernest Alfred Thompson Wallis”, Oxford Dictionary of National Biography, Oxford (https://doi.org/10.1093/ref:odnb/32161).

Thornton, A. (2018): Archaeologists in Print. Publishing for the People, London.

Vidal, J. (2012): “Campamentos militares asirios durante el reinado de Salmanasar III”, Gladius 32, 7-24.

Vogeler, M. S. (2004): “Harrison, Charles”, Oxford Dictionary of National Biography, Oxford (https://doi.org/10.1093/ref:odnb/38891).

VV.AA. (1870): Catalogue of Casts for Sale by D. Brucciani. The Largest Collection in Europe of Antique and Modern Statuary, Greek, Roman, and Medieval Ornament &c., London.

VV.AA. (1903): Catalogue of Exhibits. Harvard Semitic Museum, Boston.

VV.AA. (1905): List of Casts from Sculptures in the Departments of Antiquities sold by Messrs. Brucciani & Co., London.

Wade, R. (2018): Domenico Brucciani and the formatori of nineteenth-century Britain, London.

Formato

PDF (espanhol)

Crossmark

Métricas

Publicado

2024-07-18

Como Citar

Garcia-Ventura, A. (2024). - -. Gerión. Revista de Historia Antigua, 42(1), 193-215. https://doi.org/10.5209/geri.91457

ABNT
ACM
ACS
AMA
APA
Chicago
Harvard
IEEE
MLA
Turabian
Vancouver

Descarregar Citação

Endnote/Zotero/Mendeley (RIS)
BibTeX

Edição

Vol. 42 N.º 1 (2024)

Secção

Varia

Licença

La revista Gerión. Revista de Historia Antigua, para fomentar el intercambio global del conocimiento, facilita el acceso sin restricciones a sus contenidos desde el momento de su publicación en la presente edición electrónica, y por eso es una revista de acceso abierto. Los originales publicados en esta revista son propiedad de la Universidad Complutense de Madrid y es obligatorio citar su procedencia en cualquier reproducción total o parcial. Todos los contenidos se distribuyen bajo una licencia de uso y distribución Creative Commons Reconocimiento 4.0 (CC BY 4.0). Esta circunstancia ha de hacerse constar expresamente de esta forma cuando sea necesario. Puede consultar la versión informativa y el texto legal de la licencia.

- -

Resumo

Formato

Crossmark

Métricas

Licença

Idioma

Redes Sociales

Informações

logos

Artigos mais recentes

Nova Submissão