Quien danza, ¿qué alcanza?
Keywords:
Archetypes, Dance, A-religious man, Religious man, Individuation, Profane, Sacred
Abstract
This article aims to reflect on dance’s signification as a gesture that can become a possibility of communion between the sacred and the profane. This communion is expressed in the human being’s experience incarnated as the inner search for completeness, for meeting with totality. The basis of argument is the Carl Gustav Jung’s psychology theory and the contributions of religion historian Mircea Eliade.Format
Crossmark
Published
2008-12-01
How to Cite
Wurzba, L. (2008). Quien danza, ¿qué alcanza? Escritura E Imagen, 4, 147-168. https://revistas.ucm.es/index.php/ESIM/article/view/ESIM0808110147A
Issue
Section
Articles
License
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