Disrupting Social Exclusion in the Museum Through the Use of Rock as a Place of Memory

Mots-clés : Memory, Music, Rock, Museum, Social Exclusion, Desecrate

Résumé

The majority of people prefer to go to the movies rather than to a museum. This is not surprising given the image of a high-cultured, history-based, representation-controlled museum-cemetery that pervades in the collective imaginarium. We can admit that the museum as a whole, is affected by a set of wicked problems, and one resonates pretty loud: the social exclusion. There are many forces that have facilitated the social exclusion in the museum. In this article, I would like to share the results of my research, “Rock as a place of memory,” in which I analyze how history has superseded memory through the museum ́s genealogy and propose the transformation of rock music into a place of memory as a tool to disrupt social exclusion of the museum.

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Publiée
2019-10-15
Comment citer
Flores Varela, María Isabel. « Disrupting Social Exclusion in the Museum Through the Use of Rock as a Place of Memory ». Eikón / Imago 8 (octobre 15, 2019): 149–159. Consulté le août 4, 2026. https://revistas.ucm.es/index.php/EIKO/article/view/73421.
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Monographic theme

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