Polychromy and Meaning in the Angel Roof Sculptures of The Church of St Agnes, Cawston.

Oliver  Coulson

doi:10.5209/dmae.98087

Polychromy and Meaning in the Angel Roof Sculptures of The Church of St Agnes, Cawston

Oliver Coulson Coulson Universidad Brown https://orcid.org/0009-0006-4918-3436

DOI: https://doi.org/10.5209/dmae.98087

Palabras clave: Finales de la época medieval en Inglaterra, Policromía, Iconografía, esculturas arquitectónicas

Resumen

En el siglo quince, estaba de moda llenar los techos de las iglesias en el este de Inglaterra con esculturas de ángeles de madera. Mientras que algunas de ellas han perdido su color y otras, lo mas probable, que nunca fueran pintadas, en la Iglesia de St Agnes en Norfolk, hay un raro ejemplo de policromía que ha sobrevivido y ofrece una oportunidad única y nueva de considerar la iconografía the estas obras de arte. Este artículo explora cómo la iconografía y policromía de estas esculturas, se relaciona con el incierto clima de reforma contemporánea, creado por la propagación de la herejía de los Lollards en la zona, discutiendo que las manifestaciones de color se diseñaron como oposición a la icono-fobia de los Lollards comunicando la idea de las jerarquías universales, desde las órdenes angelicales hasta la humanidad.

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2026-07-01

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Coulson, Oliver Coulson. 2026. «Polychromy and Meaning in the Angel Roof Sculptures of The Church of St Agnes, Cawston». De Medio Aevo 15 (2): e98087. https://doi.org/10.5209/dmae.98087.