And the law became image? The Labour Law through a decade of Spanish and American cinema (1930-1940)

  • MªDolores Martín Ruiz Complutense University of Madrid
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Keywords: Labour, history, law, language, image, proletariat, ideologies.

Abstract

One of the most common forms to understand and to analyze the representation is the one concerning the image in movement. When creating a film, the producers conceive a conscious or unconscious representation of the reality that surrounds them. The way in which the cinematographic discourse has represented and presented the birth and the diverse changes in the labouring relations, the subjects that compose this relation, State, proletariat and employer, the existence or absence of legislation sprung from the political power and the process of transformation of the labouring movement, constitute the main object of analysis of this document.

Author Biography

MªDolores Martín Ruiz, Complutense University of Madrid
Profesora Asociada de Historia del Derecho Departamento de Historia del Derecho. Facultad de Derecho
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Published
2012-05-11
How to Cite
Martín Ruiz, M. (2012). And the law became image? The Labour Law through a decade of Spanish and American cinema (1930-1940). Cuadernos de Historia del Derecho, 17, 103-169. https://revistas.ucm.es/index.php/CUHD/article/view/38760
Section
Estudios