From Venice to Lerma: vocal and instrumental reception of Boccaccio. Music, epidemics and poetic canon (1500-1650).

  • Juan José Pastor Comín University of Castilla-La Mancha
DOI: https://doi.org/10.5209/cfit.74321
Keywords: Boccaccio, Music and Literature, Musical Reception, Renaissance, Baroque
Agencies: Este trabajo forma parte de los proyectos de investigación que dirige su autor: El patrimonio musical de la España Moderna (siglos XVII-XVIII): recuperación, digitalización, análisis, recepción y estructuras retóricas de los discursos musicales. Proyectos I D i de Excelencia del MINECO (HAR2017-86039-C2-2-P); Música, Literatura y Poder en la España Moderna: Estudios Interdisciplinares”, Redes de Investigación del Programa Estatal de Generación de Conocimiento y Fortalecimiento Científico y Tecnológico del Sistema de I D i (RED2018-102342-T); y El patrimonio musical de la España moderna (siglos XVII-XVIII): transferencia de resultados y proyección social”, Ministerio de Ciencia e Innovación; Prueba de Concepto (PDC2021-121092-C21).

Abstract

Between 1500 and 1650, severe epidemic episodes took place in northern and central Italy and transformed the political, territorial, social, economic and cultural reality of their states. Throughout this time the composers of madrigals increasingly integrated, as a response to the lived reality, the sung poems that close the journeys of Boccaccio's Decameron, thus configuring a canon that evolved as new epidemic episodes struck the population. The aim of this paper is to delimit and present for the first time the musical sources of Boccaccio's texts during the period examined, both in the vocal and instrumental spheres, as well as its place in the space of the sacred contrafacta as missa parodia; to configure the evolution of the poetic canon in music, and its dissemination –which reaches the court of Duke Lerma in Spain– and to analyze concisely the musical characteristics –facture, form and genre– as a creative, interpretive and expressive response to literary stimulus.

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Published
2022-06-24
How to Cite
Pastor Comín, J. J. (2022). From Venice to Lerma: vocal and instrumental reception of Boccaccio. Music, epidemics and poetic canon (1500-1650). Cuadernos de Filología Italiana, 29, 299-323. https://doi.org/10.5209/cfit.74321
Issue
Vol. 29 (2022)
Section
Literary and Cultural Studies

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