Sul Peleo di Euripide

Francesco Moles

doi:10.5209/cfcg.88353

About Euripides' Peleus

Francesco Moles Università di Bari

DOI: https://doi.org/10.5209/cfcg.88353

Keywords: Euripides, Peleus, tragedy, theatre, fragments

Abstract

Questo contributo prende in esame testimonianze e frammenti del Peleo di Euripide e tenta di trarne qualche conclusione in merito alla ricostruzione del dramma.

View Citations

References

Aycock, A. (1992), «Potiphar’s Wife: Prelude to a Structural Exegesis», Man n.s. 27.3: 479-494. https://doi.org/10.2307/2803925. DOI: https://doi.org/10.2307/2803925

Barrett, W.S. (1964), Euripides. Hippolytos, Oxford, Oxford University Press. https://doi.org/10.1093/actrade/9780198147497.book.1. DOI: https://doi.org/10.1093/actrade/9780198147497.book.1

Bernabé, A. (1987), Textos literarios hititas, Madrid, Editora Nacional.

Bettini, M. (2021), Il sapere mitico. Un’antropologia del mondo antico, Torino, Einaudi.

Boschi, A. (2021), Crizia tragico. Testimonianze e frammenti, Tivoli, Edizioni Tored.

Carletti, G. (2016), Aqhat: i molteplici aspetti del poema mitico, Diss. Pisa. https://core.ac.uk/download/pdf/79620995.pdf.

Brillante, C. (1991), «Crescita e apprendimento: l’educazione del giovane eroe», QUCC n.s. 37.1: 7-28. https://doi.org/10.2307/20547074. DOI: https://doi.org/10.2307/20547074

Cairns, D.L. (1993), AIDŌS. The Psychology and Ethics of Honour and Shame in Ancient Greek Literature, Oxford, Oxford University Press. DOI: https://doi.org/10.1093/oso/9780198146841.001.0001

Cairns, D.L. (2016), «Clothed in Shamelessness, Shrouded in Grief: The Role of “Garment” Metaphors in Ancient Greek Concepts of Emotion», in G. Fanfani, M. Harlow & M.L. Nosch (eds.), Spinning Fates and Song of the Loom: The Use of Textiles, Clothing and Cloth Production as Metaphor, Symbol and Narrative Device in Greek and Latin Literature, Oxford-Philadelphia, Oxbow Books: 25-41.

Caroli, M. (2020), Studi sulle seconde edizioni del dramma tragico, Bari, Edizioni di Pagina.

Carpanelli, F. (2007), «Frammenti tragici: Euripide e l’incesto», in G. Guidorizzi (cur.), Legami di sangue, legami proibiti. Sguardi indisciplinari sull’incesto, Roma, Carocci: 31-52.

Carpanelli, F. (2015), Da Eschilo a Seneca. Legami pericolosi e scena classica: il connubio tra sacro e profano, Alessandria, Edizioni dell’Orso.

Casamento, A. (2011), Seneca. Fedra, Roma, Carocci.

Celoria, F. (1992), The Metamorphoses of Antoninus Liberalis, London-New York, Routledge. https://doi.org/10.4324/9781315812755. DOI: https://doi.org/10.4324/9781315812755

Collard, C., Cropp, M.J. & Lee, K.H. (1995), Euripides. Selected fragmentary plays, Vol. I, Warminster, Aris & Phillips. https://doi.org/10.3828/liverpool/9780856686191.001.0001. DOI: https://doi.org/10.2307/j.ctv1228h21

Collard, C. & Cropp, M.J. (2008a), Euripides. Fragments: Aegeus-Meleager, Cambridge-London, Harvard University Press. https://doi.org/10.4159/dlcl.euripides-dramatic_fragments.2008.

Collard, C. & Cropp, M.J. (2008b), Euripides. Fragments: Oedipus-Chrysippus, Other Fragments, Cambridge-London, Harvard University Press. https://doi.org/10.4159/dlcl.euripides-dramatic_fragments.2008. DOI: https://doi.org/10.4159/DLCL.euripides-dramatic_fragments.2008

Conca, F. (2006), «Giuseppe e la moglie di Putifarre. Tra ‘imitatio’ e ‘fabula’», AAP 55: 261-274.

Cozzoli, A.T. (2009), «Il Meleagro di Euripide», in A. Martina & A.T. Cozzoli (cur.), La tragedia greca. Testimonianze archeologiche e iconografiche (Atti del Convegno, Roma 14-16 ottobre 2004), Roma, Università degli studi Roma 3, Dipartimento di studi sul mondo antico 2009: 151-181.

Cropp, M.J. (2020), «Euripides or Critias, or Neither? Reflections on an Unresolved Question», in A. Lamari, F. Montanari & A. Novokhatko (eds.), Fragmentation in Ancient Greek Drama, Berlin-Boston, Walter de Gruyter: 235-256. https://doi.org/10.1515/9783110621693-014. DOI: https://doi.org/10.1515/9783110621693-014

Dolcetti, P. (2004), Ferecide di Atene. Testimonianze e frammenti, Alessandria, Edizioni dell’Orso.

Donadoni, S. (1953), «La seduzione della moglie di Bata», RSO 28.1: 143-148.

Dover, K.J. (1968), Aristophanes. Clouds, Oxford, Oxford University Press. https://doi.org/10.1093/actrade/9780198143956.book.1. DOI: https://doi.org/10.1093/actrade/9780198143956.book.1

Fowler, R.L. (2013), Early Greek Mythography. II: Commentary, Oxford, Oxford University Press. DOI: https://doi.org/10.1093/actrade/9780198147411.book.1

Francisetti Brolin, S. (2019), Il mito di una famiglia tragica. I frammenti del Meleagro di Euripide, Acireale-Roma, Bonanno.

Frazer, J.G. & Guidorizzi, G. (1995), Apollodoro. Biblioteca, Milano, Adelphi.

Gantz, T. (1993), Early Greek Myth. A Guide to Literary and Artistic Sources, Baltimore-London, Johns Hopkins University Press.

Gelli, E. (2004), «Sofocle e il mito: alcune considerazioni per la ricostruzione e la datazione della Fedra», Prometheus 30: 193-208. https://doi.org/10.14601/prometheus-14386.

Gregory, J. (2018), Cheiron’s Way. Youthful Education in Homer and Tragedy, Oxford-New York, Oxford University Press. https://doi.org/10.1093/oso/9780190857882.001.0001. DOI: https://doi.org/10.1093/oso/9780190857882.001.0001

Hartung 1843-1844 = J.A. Hartung, Euripides restitutus sive scriptorum Euripidis ingeniique censura, 2 voll., Hamburgi, Perthes.

Ingrosso, P. (2019), «Il Fenice di Euripide e la Samia di Menandro», Lexis 37: 84-104. http://www.lexisonline.eu/wordpress/wp-content/uploads/2020/02/07_Ingrosso_Lexis-37_2019_estratto.pdf.

Ingrosso, P. (2020), «Mechanema e travestimento dal Telefo di Euripide agli Acarnesi di Aristofane», Prometheus 46: 60-89. https://doi.org/10.13128/prometheus-9218.

Jouan, F. (1966), Euripide et les légendes des Chants Cypriens. Des origines de la guerre de Troia à l’Iliade, Paris, Les Belles Lettres. https://doi.org/10.4000/books.lesbelleslettres.12523. DOI: https://doi.org/10.4000/books.lesbelleslettres.12523

Jouan, F. (1989-1990), «Femmes ardentes et chastes héros chez Euripide», in M. Geerard, J. Desmet & R. van der Plaetse (eds.), Opes Atticae: miscellanea philologica et historica R. Bogaert et H. Van Looy oblata, The Hague, Uitgave van de Sint-Pietersabdij Steenbrugge, Martinus Nijhoff international: 187-208. DOI: https://doi.org/10.1484/J.SE.2.303732

Jouan, F. & van Looy, H. (1998), Euripide. Tragédies. Tome VIII.1. Fragments: Aigeus-Autolykos, Paris, Les Belles Lettres.

Jouan, F. & van Looy, H. (2000), Euripide. Tragédies. Tome VIII.2. Fragments: Bellérophon-Protésilas, Paris, Les Belles Lettres.

Jouan, F. & van Looy, H. (2002), Euripide. Tragédies. Tome VIII.3. Fragments: Sthénébée-Chrysippos, Paris, Les Belles Lettres.

López Salvá, M. (1994), «El tema de Putifar en la literatura arcaica y clásica griega en su relación con la del Próximo Oriente», CFC(G) 4: 77-112.

Lucas de Dios, J.M. (1992), «El motivo de Putifar en la tragedia griega», Epos 8: 37-56. https://doi.org/10.5944/epos.8.1992.9782. DOI: https://doi.org/10.5944/epos.8.1992.9782

Mastromarco, G. (1983), Aristofane. Commedie. Vol. I, Torino, Einaudi.

Mastromarco, G. & Totaro, P. (2006), Aristofane. Commedie. Vol. II, Torino, Einaudi.

Medda, E. (2020), «Passioni proibite. Alcuni personaggi ‘scandalosi’ di Euripide di fronte al proprio eros», Classica 33.2: 77-106. DOI: https://doi.org/10.24277/classica.v33i2.941

Meineke, A. (1846), «Censura editionis Wagneri», ZfA 4: 1083-1099.

Nauck, A. (18892), Tragicorum Graecorum Fragmenta recensuit A. Nauck, Lipsiae, Teubner.

Papamichael, E.M. (1982), «Phoenix and Clytia (or Phthia)», Dodone 11: 213-234.

Papamichael, E.M. (1983a), «Bellerophon and Stheneboea (or Anteia)», Dodone 12: 45-74.

Papamichael, E.M. (1983b), «Peleus and Hippolyte Cretheis (or Astydameia)», Dodone 12: 139-152.

Pearson, A.C. (1917), The fragments of Sophocles, 3 voll., Cambridge, Cambridge University Press. https://doi.org/10.1017/CBO9780511707582. DOI: https://doi.org/10.1017/CBO9780511707582

Pellegrino, M. (2004), Euripide. Ione, Bari, Palomar.

Pòrtulas, J. (2004), «El silenci endolat d’Estenebea», in F. De Martino & C. Morenilla (cur.), El caliu de l’oikos, Bari, Levante: 503-522.

Preiser, C. (2000), Euripides. Telephos, Hildesheim-Zürich-New York, Georg Olms Verlag.

Roisman, H.M. (1999), Nothing Is As It Seems. The Tragedy of the Implicit in Euripides’ Hippolytus, Lanham-Boulder-New York-Oxford, Rowman & Littlefield.

Scarpi, P. & Ciani, M.G. (1996), Apollodoro. I miti greci (Biblioteca), Roma, Fondazione Lorenzo Valla; Milano, Mondadori.

Roth, P. (2015), Euripides. Hippolytos, Berlin-München-Boston, Walter de Gruyter. https://doi.org/10.1515/9783110215397. DOI: https://doi.org/10.1515/9783110215397

Silva, M.F. (2016), «Historias de amor y adulterio. Las Fedras y las Estenebeas de Euripides», REC 43: 175-210. https://bdigital.uncu.edu.ar/objetos_digitales/9590/rec43-08-fatima-silva.pdf.

Sommerstein, A.H. (1982), The Comedies of Aristophanes 3: Clouds, Warminster, Aris & Phillips.

Sommerstein, A.H. (1996), The Comedies of Aristophanes 9: Frogs, Warminster, Aris & Phillips.

Sommerstein, A.H. (2006), «Rape and Consent in Athenian Tragedy», in D.L. Cairns & V. Liapis (eds.), Dionysalexandros: Essays on Aeschylus and his Fellow Tragedians in Honour of A.F. Garvie, Swansea, The Classical Press of Wales: 233-251. https://doi.org/10.2307/j.ctvvn9b8.20. DOI: https://doi.org/10.2307/j.ctvvn9b8.20

Sommerstein, A.H. (2014), «Menander’s Samia and the Phaedra Theme», in S.D. Olson (ed.), Ancient Comedy and Reception. Essays in Honor of Jeoffrey Henderson, Berlin-Boston, Walter de Gruyter: 167-179. https://doi.org/10.1515/9781614511250.167. DOI: https://doi.org/10.1515/9781614511250.167

Sommerstein, A.H., Fitzpatrick, D. & Talboy, T. (2006), Sophocles. Selected Fragmentary Plays, Vol. I, Oxford, Oxbow Books. https://doi.org/10.3828/liverpool/9780856687655.001.0001. DOI: https://doi.org/10.3828/liverpool/9780856687655.001.0001

Sonnino, M. (2021), «La tragedia, il ‘realismo quotidiano’, la commedia. Euripide, Oreste, 71-131 nella critica antica e moderna», RCCM 63.1: 101-134.

van Herwerden, H. (1889), «[Epistola Critica] Augusto Nauckio Henricus van Herwerden S. D. Q. P.», Mnemosyne n.s. 17.3: 242-274.

Webster, T.B.L (1967), The Tragedies of Euripides, London, Methuen & Co.

Wright, M. (2019), The lost plays of Greek tragedy. Vol. 2: Aeschylus, Sophocles and Euripides, London, Bloomsbury Academic. https://doi.org/10.5040/9781474276450. DOI: https://doi.org/10.5040/9781474276450

Xanthaki-Karamanou, G. & Mimidou, E. (2014), «The Aeolus of Euripides: Concepts and Motifs», BICS 57.1: 49-60. https://doi.org/10.1111/j.2041-5370.2014.00065.x. DOI: https://doi.org/10.1111/j.2041-5370.2014.00065.x

Format

PDF (Italian)

Crossmark

Metrics

Published

2024-04-25

How to Cite

Moles, F. (2024). About Euripides’ Peleus. Cuadernos de Filología Clásica. Estudios Griegos E Indoeuropeos, 34, 53-64. https://doi.org/10.5209/cfcg.88353

ABNT
ACM
ACS
AMA
APA
Chicago
Harvard
IEEE
MLA
Turabian
Vancouver

Download Citation

Endnote/Zotero/Mendeley (RIS)
BibTeX

Issue

Vol. 34 (2024)

Section

Articles

License

In order to support the global exchange of knowledge, the journal Cuadernos de Filología Clásica. Estudios griegos e indoeuropeos is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.

About Euripides' Peleus

Abstract

Format

Crossmark

Metrics

License

Language

Information

Logos

Redes sociales

Latest publications

Make a Submission