The Poetic Subject: Last Chords in Blanca Varela’s Concierto animal
Keywords:
Poetic voice, Blanca Varela, Concierto animal, Animals, Time, Death, Reality
Abstract
This article analyses the poetic subject of Blanca Varela’s Concierto animal (1999). To that end, the study focuses on the indentification of the poetic voice with animals, as well as on the flow of time, and finally on the increasing role of death, some of the fundamental aspects of this book.Format
Crossmark
Published
2005-11-08
How to Cite
Muñoz Carrasco, O. (2005). The Poetic Subject: Last Chords in Blanca Varela’s Concierto animal. Anales de Literatura Hispanoamericana, 34, 235-247. https://revistas.ucm.es/index.php/ALHI/article/view/ALHI0505110235A
Issue
Section
Articles
License
In order to support the global exchange of knowledge, the journal Anales de Literatura Hispanoamericana is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
